Last Monday, Carolyn was in Hollywood shooting a scene for a TV show running on CBS. I can’t reveal which until before it airs, but I can say that her comments got me thinking about the little things—the mastery of craft—required of us all.
This was not Carolyn’s first rodeo. She’s appeared on “Chuck” (ABC), “Grey’s Anatomy” (ABC), “Chance” opposite Hugh Laurie (Hulu) and other shows and films. Doing so, Carolyn’s learned a lot about the special skills the camera demands.
For example, actors must hit their marks—taped spots on the floor putting them in proper position relative to other actors, the camera and lights. There’s also eyeline. When a scene is shot from multiple angles, actors must look at the same person or object in the same way for the sake of continuity.
Carolyn’s also aware of a tip I read from the great actor Michael Caine. In a two-shot (two actors on camera), look at your opposite’s eye nearest the camera to keep your face from being hidden while not distorting the shot.
One more tip—and a key one: Be polite. Carolyn’s worked with accomplished actors who, along with the rest of the cast and crew, have been unfailingly gracious. TV/film production is arduous. The set is no place for egos to run amok.
What does this teach us? Without devotion to craft—the small stuff too easily ignored—there is no art. An actor brings to life—fleshes out—a character other artists—writers—create. The art involves going deep inside and finding the soul of that character. But it’s also critical to hit your mark, maintain your eyeline and work seamlessly with others to make art—and commerce—happen.
I’ve seen sad results when people enamored with their “art,” whatever it may be, fail to master their craft. During my long career as a freelance copywriter, my “art” (though it wasn’t art but rather a business communication skill set) was concepting and writing print, radio and TV commercials along with other media. My craft involved such mundane attributes as listening to my clients, respecting their authority if we disagreed and assuring that copy was concise, well written and, yes, correctly spelled.
Because I ran my own business, my craft also included sending invoices in a timely matter, following up to be sure I received payments on time, setting aside funds for taxes and maintaining client relationships. To accomplish the latter, I promoted a simple selling point not so easily achieved by many: On target, on time, on budget.
I’m often amazed that many artists—or those who wish to be—want to live the artist’s life— whatever that is—but not practice the artist’s craft and the discipline it involves. As for me, I’m currently half-way through draft 3 of my new novel, editing and polishing every day, having received valuable feedback on draft 2b from nine readers. In a few weeks, my writing coach/editor Tom Parker will read and comment on it so I can produce a final draft 4.
If more people paid attention to the small things—not only in art but in life, every facet of which requires a mastery of craft—we might spend less time sweating so much of the big stuff.
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